Early Work

Work from the early 1970s onwards was shown at the Scottish National Portrait Gallery in a three month millennium exhibition called A Shepherd’s Life. This was a landmark in the artist’s career. The public response to her paintings of Pentland shepherd Jenny Armstrong and her environment was overwhelming, and the show subsequently toured a further seven venues.

The landscape of broken moorland and hills surrounding her home was to have a major impact on Victoria Crowe. She talks of ‘the enormity of the sky, the ever-present wind, long winters, and hills bitten into with snow and ice, and the long light of summer days and nights’. How, as an artist, was she to put that to use? Her approach to the landscape was more than a mere prosaic investigative exercise. Filled with that spirit of place which means so much to her, the pictures resulting from her quest in themselves make up an important section of her oeuvre. They mark also a noteworthy stage in her development as an artist.
— Mary Taubman, A Shepherd's Life: Paintings of Jenny Armstrong by Victoria Crowe

A Shepherd’s Life film © Andy McGregor